The form of the Rose coffee table brings an instant visual connection to stained glass windows of many catholic churches throughout Europe. Architects used the rose formations as a type of mandala, bringing order out of chaos and giving form to the unformed. By combining these simple circular sections, new and interesting voids were created within the church walls. These voids always contained a symmetry and order due to the repetition of this simple shape.
The opal matte glass top, presenting a halo of the circular forms below, further softens the pink coloured steel frame.
First shown as part of Greenhouse at the Stockholm Furniture Fair 2017. For all press material, CLICK HERE.